Mara Vidal
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A woman in a heavy work coat in a dim industrial hall, turned away towards a doorway of grey daylight, the dark roof structure above her.

Documentary and portrait photography, Lisbon

Mara Vidal

I photograph people in the places that shape them, in low light and without hurry.

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Recent pictures

From the last two years

A few frames from the series I am still working on, and from commissions I was allowed to show.

  • A foundry worker in a visor and heavy apron beside a ladle, the orange glow of the melt on one side of his face.
    Ladle man, Marinha Grande, 2025
  • Dancers resting on the floor of a rehearsal room, bare feet and folded legs close to the camera, low window light across the boards.
    Between takes, Companhia Olga Roriz
  • A man standing on cracked mud in the middle of a shrunken river, hands in his pockets, under a heavy grey sky.
    Low Water, the Tagus near Abrantes
  • The inside of a night bus with empty seats and rain-streaked windows, one passenger asleep against the glass.
    The 208 at 3 a.m.
  • A man in overalls resting against a steel column in a dark workshop, half his face lit by a high window.
    Lunch break, Seixal shipyard
  • A fisherman in oilskins on a harbour wall before dawn, coiled ropes at his feet, a single lamp behind him.
    Before the boats go out, Peniche
  • A joiner's hands guiding timber over a bench in a dim workshop, a strip of window light across the work.
    Senhor Arlindo's bench, Alfama
  • A young dancer sitting on a rehearsal room floor with her arms around her knees, grey light from tall windows crossing the floor.
    Inês, after the last run-through

Series

Long stories, told slowly

Each series takes me a year or more. I go back until people stop noticing the camera.

  • A man in overalls resting against a steel column in a dark workshop, the room falling away into shadow behind him.

    Heat

    Personal series, published by Expresso2024 - 2025

    A year inside the last glass and iron foundries of Marinha Grande. The men who still pour by hand, and the light the metal gives off.

  • A young dancer sitting on the floor of a dim rehearsal room, long grey light from tall windows crossing the empty floor.

    The Floor

    Commission for a Lisbon dance company2023

    Eight months of rehearsals before a premiere, from the first reading to opening night. Mostly the waiting, the stretching and the quiet in between.

  • Cracked river mud and a stranded mooring chain where the water has retreated, the shrunken channel winding behind.

    Low Water

    Personal series, shown at Imago Lisboa2022 - 2024

    Three summers on the Tagus as the river shrank, and the people who live along it. Farmers, ferrymen and a mooring chain that no longer reaches the water.

Editors

Who I have worked with

  • Mara came back from Marinha Grande with pictures nobody else could have made, because nobody else had spent a winter there. We ran twelve pages and still had to leave good frames out.
    Teresa LoboPhoto editor, Expresso Revista
  • She is calm, she is early, and she listens to the people she photographs. Our portraits of the new ministers were the first in years that looked like human beings.
    Daniel KerrPicture desk, The Weekend Review, London

In numbers

14
years behind the cameraSince my first job at a local paper in Setúbal.
230+
commissionsEditorial, portrait and family work.
11
countriesMost of them in Europe, a few in West Africa.
680
prints soldHand-printed in Lisbon, signed and numbered.

Hire me for a commission

Editorial assignments, portraits for a feature or a family day at home. Tell me the story and the dates, and I will answer within two working days.

Ask for a dateSee the work first

Mara Vidal

Documentary and portrait photography from Lisbon, for editors and for families.

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© 2026 Mara Vidal. Every photograph on this site is mine; please ask before using one.